Caterina Barbieri (b. 1990) is an italian composer and performer of electroacoustic music. Living at the romantic intersection between analog and digital, organic and binary, human and artificial, her music is a sonic utopia about emerging machine intelligence, human desire of pattern detection and rips of love in the invariable texture of the matrix. Her minimalist focus arises from a meditation on primary waveforms, overtone-centered patterns and the polyrhythm of harmonics, mainly rooted in the exploration of the polyphonic and polyrhythmic potential of voltage-controlled sequencers. Recursive sound patterns as a medium of perceptual insight and mental training are one of the main inspiration of her current sonic research. Using synthesis, psychoacoustics and repetition as key concepts, the italian composer stylizes the dancing of wave cycles in severe geometries of time and space on the boundary between minimalism, drone and techno in multichannel listening environments.