Polish-born, London-based artist Marysia Lewandowska has been exploring the public functions of archives, museums and exhibitions focusing on the missing voices of women. Projects include the Women’s Audio Archive (2009), Undoing Property? (2013), It’s About Time the 58th Art Biennale in Venice (2019), Enthusiasts Archive (2019) and Dismantling the Faculty of Law (2021). She was the inaugural Artist-in-Residence at the Cosmic House, London resulting in the sound installation how to pass through a door (2022). Other voice-based works include Welcome (2023) Kestner Gesellschaft, Hannover and Recording 1989 Kunsthalle Baden Baden. She served as Professor of Art in the Public Realm at Konstfack, Stockholm 2003–13. She is a member of Tate Modern Advisory roup.