Tuesday 29 March 2022, 8pm
The music of composer/performer Park Jiha blends classical minimalism and improvised music with traditional Korean instruments like the Piri (double-reed bamboo flute), Saenghwang (bamboo mouth organ), and Yanggeum (hammered dulcimer). Deftly combining the instrumentation and complex expression of traditional Korean music with an array of contemporary forms and sounds, Park Jiha has staked her place in the international music scene over the last few years as the official showcase for The World Music Expo, WOMEX and Classical:NEXT.
Trained in Korean traditional music, Park Jiha started her career by founding the duo 숨[su:m], which had a major impact upon the “new Korean music” scene. Her first solo album, Communion (2018, tak:til/ Glitterbeat Records), pursued more distant sound traditions and an eclectic instrumental palette. Collaborating with musicians from different genres, the project pursues a form of experimental minimalism that rejects ornamentation in favor of a stark clarity and meticulous balance. Pitchfork said of the album, “Jiha’s gift is in her ability to skirt dull prettiness in favor of exploiting the edges of her instruments, yet not at the expense of tangible, straightforward melodies.”
With her last album titled Philos (2019, tak:til/ Glitterbeat Records) Park Jiha has defined an even more immersive sound experience, for a Solo act she is now performing both in Korea and abroad. Par Jiha is now preparing the release of her new Solo album ‘The Gleam’ planning to come out by the end of February 2022 via Glitterbeat. This will be Coming along with a Live Improvisation recording for the BBC in collaboration with the English Artist, Roy Claire Potter, planned to be released on CAFE OTO’s imprint OTOROKU current 2022.
Roy Claire Potter has released duo and solo audio works with labels like Cafe OTO’s Otoroku and Takuroku, Sub Rosa, Chocolate Monk, and Fort Evil Fruit, and has worked with a broad range of musicians and sound artists including Park Jiha, Ziúr, Kieron Piercy and Bridget Hayden. With a visual art background in experimental art writing and drawing, Roy tells stories built from fragmented, intense images that depict moving bodies or domestic scenes and architectural settings, often focusing on group dynamics or the aftermath of violent events with a dark, sometimes wilful humour. They publish writing and make exhibitions internationally, and recent collaborations for stage and broadcast have been made possible by BEK, Counterflows, Reduced Listening for BBC Radio 3, and Wysing Art Centre’s Polyphonic music festival with Somerset House.
Billy Steiger was born in Howth on the 16th December, 1986. Now he plays the violin.
“Then he sat down by a pond and began to play a tune. As he played, the most extraordinary thing happened. One by one the fish in the pond began to jump out and fly about in the air. And what is more, they were all different colours and they were singing to the music.”
Patrick, Quentin Blake.
https://billysteiger.bandcamp.com/
