Tuesday 28 January 2020, 7.30pm
Silvan Schmid, Paul Amereller and Tom Wheatley will be performing a new, on-going composition; a vessel to contain their solo-happenings and instigate a trio-friction between them.
Silvan Schmid is a trumpet player based between Zürich and Maastricht. He plays live and does recordings with people and projects such as Solo, Gamut Kollektiv,Miao Silvan Makossiri, Alex Riva, Mraolia, Félicie Bazelaire, ТЕПЛОТА x RIVASCHMID, Lotus Eddé Khouri, TZUSSS, Fabian Saul.
Paul Amereller (born 1991) is a Swiss musician living in Zurich. He is exploring substances for improvisation and rhythm sound. At the age of four began playing the drums. Later, Paul was taught jazz by his mentors K.T Geier and Peter Frei.
He is working as a co-leader with District Five , Kush K and is a member of the Gamut Collective, which organises concerts and who perform as a musical ensemble.
He has collaborated with Colin Valon, Ganesh Geymeier, Patrice Moret, Flo Götte, Evelin Trouble, Marc Méan and Catia Lanfranchi.
Tom Wheatley is an artist and musician based in London. His work is patterns, rhythms and cycles, at an interface of physical and digital zones. Recently, his music has been documented on video and record.
His main collaborations are ТЕПЛОТА with Grundik Kasyansky, Cast-On with Ilana Blumberg, and various lineups & outputs with Daniel Blumberg, often including Billy Steiger, Ute Kanngiesser and Jim White.
Grundik Kasyansky is a Moscow born electronic musician, based in London. He was a founding member of Israeli experimental electronic duo Grundik and Slava. The duo played an important role in the flourishing of the Tel-Aviv and Jerusalem art and music underground in the late 90s-early 00s. He collaborated with many musicians, dancers, painters and filmmakers, and released records through Matchless, Another Timbre, Takuroku, Creative Sources, Cathnor, Earsay, Fact, Auris Media, Stateart, Dromos and Linear Obsessional. He also plays in bands Теплота, Staraya Derevnya and Llull Machines. Before concentrating on electronic music he wrote poetry and it deeply influenced his current practice. Since 2006 he’s been developing a customised setup, which he calls “feedback synthesizer” (a feedback/analog synthesis system).
https://grundik.tumblr.com/
