Thursday 21 July 2022, 7.30pm
The first issue of The Wire was published in summer 1982. To mark its 40th anniversary, throughout July the magazine is hosting a series of live events in London, Bristol, Brighton, Manchester, Glasgow, Chicago, and online.
For this Cafe Oto residency, The Wire’s publisher/director Tony Herrington has assembled a programme based on the editorial philosophy that was encapsulated in the strapline on the cover of that first issue: Jazz, Improvised Music, And….
The final night of the residency features Black Top, the improvising vehicle formed by two of the UK’s most advanced practitioners of creative music aka jazz: Orphy Robinson and Pat Thomas. By way of some sweet serendipity, Black Top is marking its 10th anniversary this year, and for this double birthday celebration, it will perform in three incarnations:
Black Top with Strings featuring:
Mandhira De Saram, violin
Angharad Davies, violin
Hannah Marshall, cello
Neil Charles, double bass
Black Top with Horns featuring:
Rachel Musson, tenor saxophone
Xhosa Cole, tenor saxophone
Black Top with Voices featuring:
Elaine Mitchener, voice
Cleveland Watkiss, voice
“For this concert we are looking to create a continuous sonic experience via three major soundworlds,” explains Pat Thomas. “Over the last decade we have been fortunate enough to play with some of the greatest practitioners in free improvisation and jazz. For this concert we are honoured to be playing with great ensemble players. All are great soloists in their own right, but are also great as a unit. We feel they will help us expand our sonic universe. As Sun Ra would say: destination unknown!”
The Wire’s Cafe Oto residency is part of a series of events programmed by the magazine to mark its 40th anniversary at venues in London, Bristol, Brighton, Manchester, Glasgow, Chicago, and online. Artists appearing at the events include People Like Us, Helena Celle, No Home, Hannah Catherine Jones, Venus Ex Machina, Teresa Winter, UnicaZürn, :zoviet*france:, FM Einheit, Blectum From Blechdom, Apartment House, Black Top, Sarah Angliss, Kemper Norton, Hamid Drake, Ikue Mori, Aaron Dilloway, plus screenings of Neptune Frost by Saul Williams & Anisia Uzeyman, films on Éliane Radigue and William Burroughs, and concerts exploring the legacies of The Scratch Orchestra, AMM and Spontaneous Music Ensemble. Tickets for all events are going on sale in May. To get updates on all The Wire’s 40th anniversary events, including ticketing information and programme announcements, follow The Wire on Twitter and Instagram: @thewiremagazine; Facebook; and sign up to its Weekly newsletter at thewire.co.uk/newsletters.
Orphy Robinson is an award-winning multi- Instrumentalist, One of the few UK musicians to have been signed to the legendary USA Jazz label “Blue Note”.
Robinson has performed on over 100 recordings with numerous internationally acclaimed artists across many genres of music.
These include artists as diverse as Lawrence Butch Morris, Hugh Masekela, Don Cherry, Robert Plant, Thurston Moore, Robert Wyatt, The Jazz Warriors, Cleveland Watkiss, Wadada Leo Smith, Lionel Loueke, Henry Grimes, William Parker, Hamid Drake, Jean-Paul Bourelly, Jean Luc Ponty, Marshall Allen, Sun Ra Arkestra to name a few.
Throughout his 40-year career, he has constantly been nominated or won numerous prestigious industry awards. These include 2022 Paul Hamlyn Award, 2 Jazz Fm awards 2017 Live Experience of the Year” & 2020 Gold Award. Nominated for the 2022 ‘Best Jazz Ensemble’ at the Parliamentary Jazz Awards.
2017 – 2019 Orphy held the position of Artist in residence at the Gibraltar World music Festival.
2018 Artistic director at the Gibraltar World music Festival.
Orphy sits on various industry Boards Such as the Ivor’s Academy where he is both Deputy Chair and the Chair of the Jazz + Genre Committee.
ECSA (European Composers & Songwriters Alliance) Trustee & Chair of the ECF - Art & Contemporary music Committee.
Vice Chair for the UK Promoters organization “Jazz Promotion Network”.
Orphy has also written articles for various industry music magazines such as Wire Magazine, Jazzwise & Online platform JAZZED.
Orphy has also presented Guest radio programmes on:
BBC Radio 3, Jazz Fm, Resonance Fm, Worldwide FM, Solar Radio.
Since 2016 Robinson has presented a weekly show on internet Radio station - Delite Radio. www.deliteradio.com
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann
Mandhira is happiest bringing her playful energy and creativity to a breadth of projects across the less trodden paths of contemporary music, working with the likes of Anna Meredith, Elaine Mitchener, Elliot Galvin, Laura Jurd and Shabaka Hutchings, and now increasingly as a solo artist.
Having left the Ligeti Quartet (Songbooks Vol. 1, 2021 and Nuc, 2023) - the plucky band of musical buccaneers who explore the outer reaches of chamber repertoire - Mandhira’s recent creative ventures include commissions by the Ligeti Quartet, a collaboration with the cross-cultural Australian Art Orchestra (debuting in Melbourne and HCMF) and working with Jasmin Kent Rodgman on the soundtrack to the feature film Bawa’s Garden. She has also been commissioned by the Barbican’s Sound Unbound Festival and Musicity.
Equally at home leading orchestras in the world’s most prestigious concert venues, recording film soundtracks at Abbey Road and improvising at Café Oto, her other projects include improvising duos with Steve Beresford and Benoit Delbecq (Spinneret, 2019) and regular appearances with Riot Ensemble and London Contemporary Orchestra.
She currently plays a 1735 Sanctus Seraphin violin kindly loaned to her by Derek Clements-Croome.
Angharad Davies is a Welsh violinist based in London working with free-improvisation, compositions and performance.Her approach to sound involves attentive listening and exploring beyond the sonic confines of her instrument, her classical training and performance expectation.
Much of her work involves collaboration. She has long standing duos with Tisha Mukarji, Dominic Lash and Lina Lapelyte and plays with Common Objects, Cranc and Skogen. She has been involved in projects with Tarek Atui, Tony Conrad, Richard Dawson, Gwenno, Roberta Jean, Jack McNamara, Rie Nakajima, Tim Parkinson, Eliane Radigue, Georgia Ruth and J.G.Thirlwell.
Most of her records are released on Another Timbre but she also has releases on Absinth Records, Confrontrecords, Emanem, Potlatch and winds measure recordings.Her first orchestral piece was commissioned by LCMF in 2019.
Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. She has been a regular member of Alexander Hawkins’ Ensembles and has toured in Europe and South America with Luc Ex and Veryan Weston’s ensembles – SOL 6 & 12. She plays with ‘String Terrorists’ - Barrel (a trio with Violinist Alison Blunt & Violist/poet Ivor kallin). And has been invited by Fred Frith and Suichi Chino in their residencies at café Oto. She also plays with Terry Day, Tim Hodgkinson, Roger Turner, Paul May, Kay Grant, and the London Improvisers Orchestra.
Neil Charles is one of the most in-demand musicians on the scene, with a huge array of credits to his name, including Jack DeJohnette, the Sun Ra Arkestra, Mingus Big Band, Jose James, Jerry Dammers, Courtney Pine, and Terence Blanchard. His own projects have included Zed U, with Shabaka Hutchings and Tom Skinner, and the more recent ensemble Dark Days, dealing with the work of James Baldwin. Most recently, he has been heard across the international scene with Gabriels. As well as being known as a bass player with a huge sound and immaculate sense of time, he is equally renowned as a producer, going by the alias Ben Marc.
"Bassist Neil Charles went flying, from the first moment filling the space with the sound of his mighty wings Henning Bolte," – Europe Jazz Media Chart
Rachel Musson is a saxophonist, improviser and composer living in London, UK. She is involved with a variety of improvisation projects, and works regularly with Mark Sanders, Pat Thomas, Hannah Marshall, Julie Kjaer, Corey Mwamba, Olie Brice, Alex Ward, Alex Hawkins amongst others. She features on several releases, including a nonet featuring her composition 'I Went This Way' (577 Records), two with Shifa, feat. Pat Thomas and Mark Sanders, (577 Records), one with Mark Sanders and John Edwards (Two Rivers Records), trio with Liam Noble and Mark Sanders (Babel), and Corey Mwamba (Takuroku).
"A free-improviser sensitive to melody-like narrative and dramatic pacing" – John Fordham, The Guardian
Xhosa Cole is one of the new rising stars of British Jazz. BBC Young Jazz Musician of the Year 2018, Xhosa went on to win numerous awards and to appear onstage alongside jazz legends. He has performed twice at the BBC Proms, composed music for the Flatpack Film Festival, recorded saxophone for Mahalia’s debut album, and with his own quartet has toured the UK far and wide. Following his celebrated debut album K(no)w Them, K(no)w Us (2021), Cole’s new project and album release Ibeji features a series of saxophone and percussion duets, alongside pieces of conversation and interview between Cole and his seven collaborators, all eminent percussionists of African descent, all woven into the narrative of the album. Xhosa’s exposure to players from a range of different traditions, combined with his strong connection to his inner-city community in Birmingham (UK), has helped to develop a fiercely unique and independent voice.
“The 26-year-old tenor saxophonist/composer is a British sensation and proves that he’s here for blood with this release … He’s got technique, talent, artistry and a burning desire that shows throughout the set.” - Downbeat
Elaine Mitchener is a British Afro-Caribbean vocalist, movement artist and composer working between contemporary / experimental new music, free improvisation and visual art. She is currently a Wigmore Hall Associate Artist; was a DAAD Artist-in-Berlin Fellow (2022) and was an exhibiting artist in the British Art Show 9 (2021-22). In February 2022 Mitchener was awarded an MBE for Services to Music. Elaine is founder of the collective electroacoustic unit The Rolling Calf (with Jason Yarde and Neil Charles). Her regular collaborators include: composers George E Lewis, Jennifer Walshe, and Tansy Davies; visual artists Sonia Boyce, Christian Marclay and The Otolith Group; chamber ensembles Apartment House, London Sinfonietta, Ensemble MAM, Ensemble Klang, and Klangforum Wien; choreographer Dam van Huynh’s company; and experimental musicians such as Moor Mother, Loré Lixenberg, Saul Williams, Pat Thomas and David Toop. While developing her own projects, Elaine continues to work as a collaborative and interpretive singer.
Jazz Vocalist of the Year & Mobo Nominated: Cleveland Watkiss 2017
Internationally renowned vocalist won the London Jazz Award for Best Vocalist in 2010, and was voted Wire/Guardian Jazz Awards best vocalist for three consecutive years.
Watkiss was born in Hackney, East London, to Jamaican parents. Watkiss was one of the co-founders of the vastly influential Jazz Warriors big band. His vocals can be heard on their debut album, Out of Many People.
Watkiss has performed with a diverse range of artists from around the world, including: The Royal Philharmonic Orchestra, Carlinos Brown, Wynton Marsalis, Bob Dylan, Thurston Moore, Art Blakey, Abdullah Ibrahim, Stevie Wonder, Keith Richards, Bheki Mseleku, Fabio & Grooverider, William Parker, the James Taylor Quartet, Sly & Robbie, Nigel Kennedy, Robbie Williams, Joe Cocker, The Who, George Martin, Julian Joseph, Black Top, the London Chamber Orchestra, the BBC Orchestra, Cassandra Wilson, Louis Moholo, and the London Community Gospel Choir, Hamid Drake, & Project 23, Goldie. More recently, demonstrating great versatility, Cleveland was cast as the starring role in Julian Joseph’s, two groundbreaking jazz operas, Bridgetower and Shadowball, to considerable acclaim.
In June last year he performed with vibraphonist Orphy Robinson at Freedom: The Art of Improvisation Festival at The Vortex, performing their project Duke Joint. Also with a project London-Chicago Vibration in Nov’ at the London Jazz Festival, a 50th anniversary tribute to the Chicago-based Association for the Advancement of Creative Musicians (AACM) led by multi-percussionist Orphy Robinson and an all-star band of UK-based improvisers including legendary drummer Louis Moholo vibist Corey Mwamba and saxophonist Jason Yarde.
