| 1 | crooning inwardly, gyrating discreetly | 9:05 |
| 2 | towards a party (of 3 or 4 or 5) | 5:37 |
| 3 | with a twig as a brush | 1:18 |
| 4 | alongside mud | 2:59 |
| 5 | sweating lightly | 6:28 |
| 6 | until the battery dies | 3:02 |
Cara Tolmie's practice centres itself upon the voice, the body and the complex ties between the two. All at once subjective as well as socially determined, she explores voice and body as two codependent entities able to prompt as well as contradict one another.
Here, on her debut release, her vocal ruminations explore a practice of sounding on both the inhale and exhale as well as a self-soothing touch strategy she developed in reaction to symptoms triggered by post-concussion syndrome. In an attempt to displace vocality towards and through parts of the body extraneous to the mouth, Cara lets sounds forge paths and encircle the body's inner topography, soaking her voice through a labyrinth of pumping blood, organs and the touch of skin.
The result is a music that offers snapshots of the body tempered by different conditions; resting, moving, listening, pleasure, strain and sensitivity. Cara invokes waves of sound; sometimes calm and meditative, sometimes teetering on discomfort; sometimes falling into an anxious refrain. 'Lit by a Car' offers the space and time to come to terms with these feelings and give them life - letting the breath of voice twist and turn in compellingly peculiar new directions.
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All music & recording by Cara Tolmie
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Artwork design by Oliver Barrett
Special thanks to Nisse Bergman, Stine Janvin, Gavin Maycroft, Kimberley O'Neill, Duncan Marquiss, Deirdre J. Humphrys, Frida Sandström, Birk Gjerlufsen and Susanna Jablonski for lending their ears
2 - towards a party (of 3 or 4 or 5) [05:37]
3 - with a twig as a brush [01:18]
4 - alongside mud [02:59]
5 - sweating lightly [06:28]
6 - until the battery dies [03:02]
Cara Tolmie (born Glasgow, 1984, based in Stockholm) spends much of her time oscillating between contexts as an artist, musician, performer, DJ, pedagogue and researcher. Her works have been performed and exhibited widely and internationally at art galleries, music festivals, biennials, conferences and in the public space – both as solo presentations and collaborative projects.
Her practice at large centres itself upon the singing voice, the body, and the complex ties between the two. All at once subjective as well as socially determined, she explores voice and body as two co-dependent entities able to confirm as well as contradict one another. Within this she often explores performative techniques that disorient the listening relationship between the singer and her audience through live uses of the defamiliarised, uncanny and sampled singing voice.
Cara is currently a PhD candidate in Critical Sonic Practice at Konstfack, Stockholm.
