| 1 | Twice Removed | 3:46 |
| 2 | The Widow | 0:38 |
| 3 | Shank and Spindle | 3:41 |
| 4 | The Four Apprentices | 1:16 |
| 5 | Scalpel | 1:44 |
| 6 | The Attendant | 0:35 |
| 7 | Famously Short Arms | 4:20 |
| 8 | The Widows Daughter | 0:26 |
| 9 | These Things Are Not Fancy | 6:54 |
| 10 | Two Leyaks and a Minister | 1:37 |
| 11 | Now Now Not Later Not Ever | 4:32 |
| 12 | The Disciple | 1:08 |
| 13 | Fed Ex Gorilla | 3:46 |
| 14 | The Irate Prime Minister | 0:57 |
| 15 | My Face Spited | 2:30 |
| 16 | The Sared Beast | 0:11 |
| 17 | Regrets I've Had a Few | 2:05 |
| 18 | Warrior with Dagger | 0:33 |
| 19 | Supplie e Domanda | 1:58 |
Third solo record from Corsano. One drum set augmented by various re-purposed metal objects, modified reed instruments and bowed strings stretched across drums. 19 tracks--9 of which are interwoven throughout the record in a very loose retelling of the Calon Arang story portrayed in Balinese gamelan music.
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Chris Corsano / percussion
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Tracklisting:
1. Twice Removed - 4:06
2. The Widow - 0:38
3. Shank And Spindle - 3:41
4. The Four Apprentices - 1:16
5. Scalpels - 1:44
6. The Attendant - 0:35
7. Famously Short Arms - 4:20
8. The Widow's Daughter - 0:26
9. These Things Are Not Fancy - 6:54
10. Two Leyaks And A Minister - 1:37
11. Not Now Not Later Not Ever - 4:32
12. The Disciple - 1:08
13. Fed Ex'd Gorilla - 3:46
14. The Irate Prime Minister - 0:57
15. My Face, Spited - 2:30
16. The Sacred Beast - 0:11
17. Regrets, I've Had A Few - 2:05
18. Warrior With Dagger Pointed Inward - 0:33
19. Suppli E Domanda - 1:58
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Recorded January-March 2012 except #1 (December 2009), #5 (March 2008), #13 (December 2011) and #15 (May 2010).
All acoustics, no overdubs, some edits here, some fades there.
Available as a 320k MP3 or 24bit FLAC download.
CHRIS CORSANO is an upstate NY-based drummer who has been active at the intersections of collective improvisation, free jazz, avant-rock, and noise music since the late 1990's. Corsano is one of the greatest drummers working today, developing a percussive language of extraordinary amplitude and infinite resources. His collaborations stretch from free jazz greats (Joe McPhee, Evan Parker, Paul Flaherty & more) to noise mavens (Jandek, Bill Nace, C Spencer Yeh etc) and pop superstars (Björk). Capable of generating narrative out of permanent ecstasy, Corsano never ceases to be profoundly affirmative and imposing of his language, and being an absolute and charismatic virtuoso, he simultaneously is one of the most noble and generous improvisers of the few last decades.
A move from western Massachusetts to the UK in 2005 led Corsano to develop his solo music - a dynamic, spontaneously-composed amalgam of extended techniques for drum set and non-percussive instruments of his own making: e.g. bowed violin strings stretched across drum heads, modified reed instruments, and stockpiles of resonant metal. In February 2006, Corsano released his first solo recording, The Young Cricketer, and toured extensively throughout Europe, USA, Australia, and Japan. In 2009, Corsano returned focus to his own projects, including a duo with Michael Flower, Vampire Belt (with Bill Nace), Rangda (with Richard Bishop and Ben Chasny) and his solo work, further expanded in its use of contact microphones and synthesizers. In 2017, he received the Foundation for Contemporary Arts Grants to Artist Award.
Corsano's dedication to collective improvisation has led to collaborations with many kindred spirits and his appearance on over 150 records and 1000 live performances. He's worked with, among others: Paul Dunmall (released by ESP-Disk), Joe McPhee (Roaratorio), Okkyung Lee (Open Mouth), Earth Ball (Upset The Rhythm), Nate Wooley (No Business & Astral Spirits), Jim O'Rourke & Akira Sakata (Drag City), Merzbow (Family Vineyard), Jessica Rylan (Load Records), John Edwards, Nels Cline, Heather Leigh, Ghédalia Tazartès and Sunburned Hand Of Man.
https://chriscorsano.bandcamp.com/music
