| 1 | L'appel Du Vide | 11:49 |
| 2 | Labmeat | 4:36 |
| 3 | Knuckleball | 3:19 |
| 4 | Sgriob | 6:09 |
| 5 | Decalomania | 7:35 |
"Debut LP from Meginsky. Subterranean, nearly-inaudible restraint and a rushing, stuttering throb rule the night on this record. Its electric moods are so resolutely alien they suggest worlds unknown rather than create them. Irregular heartbeat thumps are set against high end atmospheres explored in microscopic detail. Haunting overlays of tones fluctuate and tremble, and not one moment feels forced. The music is meticulously constructed and consistently surprising. The electronics spin away, shooting off into bizarre and unexpected territory, and all the while Meginsky guides them with a benevolent, confident, endlessly fascinating hand. To hear him tell it, the record is 'a document of me looking for the experience I have not yet had, and maybe will never have. This is where the title comes from. The pull of the void.' Natural phenomena, like fog or mist, tend to render the environment and one's ability to see it nearly impossible, and if you tilt your head back like you have a nosebleed there is always the fear that the sun might set sooner. When you stop in a secret place there is no need to talk. These are streets full of sullen languid violence and grey phantoms." -- Matt Krefting Holyoke, MA May 2014
"By its closing track the album is in a state of malfunction, with rhythms splintering and disintegrating, peppered with fizzing tonal clusters and static blasts which sound more like Voice Crack than anything you’d expect to hear on a dancefloor." The Wire
"All electronics, almost all smooth and clean sounds chosen, it references beat-driven styles with seemingly regular rhythms, but they're overlaid in non-obvious patterns and use very different textures, resulting in a fine sense of space where the relative absence of grit and inexactitude don't bother me nearly as much as is often the case in work I've heard that's tangentially related" Brian Olewnick
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Jake Meginsky / electronics
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Artwork by Bill Nace. Mastered by Mark Allen Miller.
Available as 320k MP3 or 24bit FLAC
Tracklisting:
1. L'appel Du Vide
2. Labmeat
3. Knuckleball
4. Sgriob
5. Decalomania
Composer/filmmaker Jake Meginsky, a New Music USA award winner and Massachusetts Cultural Council Fellow in both music and film, has collaborated and performed with an extraordinary range of musicians including Milford Graves, Alvin Lucier, Joan La Barbara, Kim Gordon, Vic Rawlings, Greg Kelley, Bhob Rainey, Joe McPhee, Thurston Moore, William Parker, Daniel Carter, Paul Flaherty, John Truscinski, Arthur Brooks, and Bill Nace.
Meginsky has been reviewed extensively in leading contemporary music, art and culture publications worldwide. In 2018 Artforum Magazine wrote, "On recent releases, Meginsky juggles off-kilter patterns of undulating bass, prickly sine pulses, and shards of white noise to build rhythmic worlds of dizzying density, depth, and textural variety." Art In America Magazine says, “Meginsky’s digital concrète takes percussion to outer extremes.” David Keenan called Meginsky’s 2014 solo record, L’appel Du Vide, “a hallucinatory electro percussion masterpiece”. Meginsky's debut solo album, L’appel Du Vide, was included in the WIRE Magazine's Top 10 Records of the Year for Outer Limits and his third release, Seven Psychotropic Sinewave Palindromes, was listed in FACT Magazine’s Top 50 Albums of 2016.
