On April 15th SA Recordings present a new LP and sample library from the acclaimed New York composer, performer and sound designer Lea Bertucci. A work of three interlinked incarnations, ‘Acoustic Shadows’ began as an event, which then became an album and has inspired a sample library for other musicians.

The Event (recalled by Lea Bertucci)

“Acoustic Shadows I-III was a series of site-specific musical performances and a sound installation that took place in the enclosed hollow body of the Deutzer bridge in Koln, Germany, 2018. Spanning approximately 440 meters across the Rhine river, the extraordinary acoustics and rich existing aural architecture of this site became crucial components of the installation and musical compositions.

An 8-channel speaker system distributed throughout the bridge became activated by three instrumental performances that happened throughout the course of a week. Fragments of each performance were captured by microphones installed in the space and then played back through the 8-channels after the performance was over in a loop of overlapping moments, creating a sonic accumulation that takes place over long stretches of time - a musical performance with no clear ending.

The first performance, for solo alto saxophone, served as the basis for the rest of the piece, as the sounds generated during this performance were played back as an installation throughout the following days. The second performance built upon the first, this time with an 8-piece brass ensemble. Again, the sounds produced here were captured in a similar fashion from the first performance and continued as an installation for the next few days. On the last day, a performance for three percussionists closed out the event and completed the project. I wanted to create elements within this project that directly responded to the auditory richness of the site. In each composition, I looked for particular instruments that would excite the acoustic characteristics of the space. With approximately 14 seconds of reverb, distinctive delay effects and a room tone of approximately 65 hz, the hollow body of the bridge provided a lush sonic backdrop to stage these pieces."