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'A Jar Full' is the first set of recordings from improvising cellist Charlie Ulyatt and Dictaphone player Joe Posset.

Charlie and Joe became aware of each other’s work via mentions in the excellent TQ fanzine. When Joe was offered a show in Charlie’s home town of Nottingham he asked Charlie along to play a one-off collaboration.

๐˜๐˜ฎ๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜Š๐˜ฆ๐˜ญ๐˜ญ๐˜ฐ ๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ถ๐˜ด ๐˜๐˜ฎ๐˜ฑ๐˜ณ๐˜ฐ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜‹๐˜ช๐˜ค๐˜ต๐˜ข๐˜ฑ๐˜ฉ๐˜ฐ๐˜ฏ๐˜ฆ. ๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ค๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ฑ๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ฃ๐˜ญ๐˜บ ๐˜จ๐˜ฐ ๐˜ธ๐˜ณ๐˜ฐ๐˜ฏ๐˜จ?

Meeting for the first time a few hours before the show, with no previous rehearsal, practice or jam, things seemed to go rather well (๐˜Š๐˜๐˜Š ๐˜Œ๐˜ฅ.: ๐˜™๐˜ฆ๐˜ข๐˜ฅ: ๐˜ฃ๐˜ญ๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ๐˜ญ๐˜บ ๐˜ฆ๐˜น๐˜ค๐˜ฆ๐˜ญ๐˜ญ๐˜ฆ๐˜ฏ๐˜ต๐˜ญ๐˜บ). It is this first ever show in Nottingham’s Angel pub that graces side two.

With a side of live dicta/cello wonk in the bag, Charlie and Joe spent a few weeks sending sound files back and forth to improvise over. What you hear on side one are first-take improvisations over each other’s recordings. To keep things fresh we agreed to not listen in advance but simply set up the recorder, hit play and record the outcome.

But what will you hear?

๐‘‡โ„Ž๐‘’ ๐‘Ÿ๐‘–๐‘โ„Ž ๐‘ก๐‘œ๐‘›๐‘’ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘๐‘’๐‘™๐‘™๐‘œ ๐‘ ๐‘™๐‘–๐‘›๐‘˜๐‘  ๐‘œ๐‘ข๐‘ก ๐‘๐‘’๐‘ก๐‘ค๐‘’๐‘’๐‘› ๐‘”๐‘œ๐‘๐‘๐‘ฆ โ„Ž๐‘œ๐‘Ÿ๐‘ ๐‘’โ„Ž๐‘Ž๐‘–๐‘Ÿ ๐‘“๐‘Ÿ๐‘–๐‘๐‘ก๐‘–๐‘œ๐‘› ๐‘Ž๐‘›๐‘‘ ๐‘กโ„Ž๐‘ข๐‘š๐‘-๐‘ค๐‘Ÿ๐‘–๐‘›๐‘˜๐‘’๐‘‘ ๐‘“๐‘“๐‘ค ๐‘Ž๐‘๐‘ก๐‘–๐‘œ๐‘›, ๐‘ ๐‘๐‘’๐‘’๐‘‘๐‘ฆ-๐‘—๐‘ข๐‘š๐‘ ๐‘๐‘ข๐‘ก๐‘  ๐‘œ๐‘“ ๐‘ ๐‘š๐‘’๐‘Ž๐‘Ÿ๐‘’๐‘‘ ๐‘ก๐‘Ž๐‘๐‘’ ๐‘›๐‘œ๐‘–๐‘ ๐‘’ ๐‘ค๐‘Ÿ๐‘’๐‘ ๐‘ก๐‘™๐‘’ ๐‘กโ„Ž๐‘’ ๐‘”๐‘Ÿ๐‘–๐‘ ๐‘ก๐‘™๐‘’ ๐‘œ๐‘“ ๐‘“๐‘Ž๐‘ก ๐‘ค๐‘œ๐‘ข๐‘›๐‘‘ ๐‘ ๐‘ก๐‘Ÿ๐‘–๐‘›๐‘”๐‘ .

๐‘†๐‘’๐‘›๐‘ ๐‘œ๐‘Ÿ๐‘ฆ ๐‘”๐‘Ÿ๐‘’๐‘›๐‘Ž๐‘‘๐‘’๐‘  ๐‘’๐‘ฅ๐‘๐‘™๐‘œ๐‘‘๐‘’ ๐‘™๐‘’๐‘ก๐‘ก๐‘–๐‘›๐‘” ๐‘œ๐‘ข๐‘ก ๐‘ค๐‘Ž๐‘“๐‘ก๐‘  ๐‘œ๐‘“ ๐‘๐‘™๐‘Ž๐‘ ๐‘ ๐‘ฆ ๐‘Ÿ๐‘œ๐‘ ๐‘–๐‘› ๐‘Ž๐‘›๐‘‘ โ„Ž๐‘œ๐‘ก ๐‘š๐‘’๐‘™๐‘ก๐‘–๐‘›๐‘” ๐ต๐‘Ž๐‘˜๐‘’๐‘™๐‘–๐‘ก๐‘’. ๐‘‡โ„Ž๐‘œ๐‘ข๐‘”โ„Ž๐‘ก๐‘  ๐‘Ž๐‘›๐‘‘ ๐‘–๐‘š๐‘Ž๐‘”๐‘’๐‘  ๐‘๐‘œ๐‘Ž๐‘™๐‘’๐‘ ๐‘๐‘’ ๐‘–๐‘›๐‘ก๐‘œ ๐‘๐‘™๐‘ข๐‘š๐‘ ๐‘ค๐‘œ๐‘๐‘๐‘™๐‘–๐‘›๐‘” ๐‘ โ„Ž๐‘Ž๐‘๐‘’๐‘  ๐‘ข๐‘›๐‘ก๐‘–๐‘™ ๐‘กโ„Ž๐‘’๐‘ฆ ๐‘Ž๐‘Ÿ๐‘’ ๐‘ ๐‘๐‘’๐‘Ž๐‘Ÿ๐‘’๐‘‘ ๐‘ค๐‘–๐‘กโ„Ž ๐‘Ž ๐‘ โ„Ž๐‘Ž๐‘Ÿ๐‘ ๐‘ ๐‘œ๐‘›๐‘–๐‘ ๐‘—๐‘Ž๐‘ ๐‘œ๐‘›๐‘™๐‘ฆ ๐‘ก๐‘œ ๐‘‘๐‘’๐‘“๐‘™๐‘Ž๐‘ก๐‘’ ๐‘ค๐‘–๐‘กโ„Ž ๐‘กโ„Ž๐‘’ ๐‘‘๐‘–๐‘”๐‘›๐‘–๐‘ก๐‘ฆ ๐‘œ๐‘“ ๐‘Ž ๐‘“๐‘Ž๐‘–๐‘›๐‘ก๐‘–๐‘›๐‘” ๐‘‘๐‘œ๐‘ค๐‘Ž๐‘”๐‘’๐‘Ÿ.

๐ถ๐‘’๐‘™๐‘™๐‘œ ๐‘Ž๐‘›๐‘‘ ๐ท๐‘–๐‘๐‘ก๐‘Ž๐‘โ„Ž๐‘œ๐‘›๐‘’ ๐‘“๐‘™๐‘Ž๐‘ก๐‘ก๐‘’๐‘Ÿ ๐‘’๐‘Ž๐‘โ„Ž ๐‘œ๐‘กโ„Ž๐‘’๐‘Ÿ ๐‘ค๐‘–๐‘กโ„Ž ๐‘Ž๐‘ข๐‘‘๐‘–๐‘œ-๐‘๐‘œ๐‘š๐‘๐‘™๐‘–๐‘š๐‘’๐‘›๐‘ก๐‘  ๐‘Ž๐‘›๐‘‘ ๐‘๐‘’๐‘Ÿ๐‘ก๐‘Ž๐‘–๐‘›๐‘™๐‘ฆ ๐‘š๐‘Ž๐‘˜๐‘’ ๐‘Ž โ„Ž๐‘Ž๐‘›๐‘‘๐‘ ๐‘œ๐‘š๐‘’ ๐‘๐‘Ž๐‘–๐‘Ÿ. ๐‘‡โ„Ž๐‘’ ๐‘™๐‘œ๐‘ค ๐‘ก๐‘œ๐‘›๐‘’๐‘  ๐‘Ž๐‘“๐‘“๐‘œ๐‘Ÿ๐‘‘๐‘’๐‘‘ ๐‘๐‘ฆ ๐‘Ÿ๐‘’๐‘ ๐‘œ๐‘›๐‘Ž๐‘ก๐‘–๐‘›๐‘” ๐‘ค๐‘œ๐‘œ๐‘‘ ๐‘๐‘™๐‘Ž๐‘ฆ ๐‘œ๐‘“๐‘“ ๐‘กโ„Ž๐‘’ ๐‘“๐‘Ÿ๐‘Ž๐‘”๐‘–๐‘™๐‘’ ๐‘ก๐‘Ž๐‘๐‘’ ๐‘š๐‘Ž๐‘”๐‘›๐‘’๐‘ก๐‘–๐‘๐‘ . ๐‘‡โ„Ž๐‘’ ๐‘ ๐‘๐‘Ÿ๐‘–๐‘๐‘๐‘™๐‘’-๐‘ ๐‘๐‘Ÿ๐‘Ž๐‘๐‘๐‘™๐‘’ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐‘๐‘œ๐‘ค ๐‘™๐‘’๐‘›๐‘‘๐‘  ๐‘ก๐‘’๐‘ฅ๐‘ก๐‘ข๐‘Ÿ๐‘’ ๐‘ก๐‘œ ๐‘กโ„Ž๐‘’ ๐‘“๐‘œ๐‘”๐‘”๐‘ฆ ๐ท๐‘–๐‘๐‘ก๐‘Ž๐‘โ„Ž๐‘œ๐‘›๐‘–๐‘ฅ. ๐‘‡๐‘ค๐‘œ ๐‘‘๐‘–๐‘ ๐‘ก๐‘–๐‘›๐‘๐‘ก ๐‘ฃ๐‘œ๐‘–๐‘๐‘’๐‘  ๐‘ ๐‘–๐‘›๐‘”๐‘–๐‘›๐‘” ๐‘–๐‘› ๐‘‘๐‘Ÿ๐‘ข๐‘›๐‘˜๐‘’๐‘› ๐‘ข๐‘›๐‘–๐‘ ๐‘œ๐‘›!

Charlie Ulyatt: Cello & Baglama / Joe Posset: Dictaphones & Tape

Thanks: Cannonbone’s Daniel Murray for putting on the show at The Angel, Andy TQ for putting us in touch with each other and Andy Crow for putting this damn tape out. You rule.

Mastering props to Councillor Shaun Blezard

Art and design by Crow Versus Crow

Available as 320k MP3 or 24bit FLAC

Tracklisting:

1. At This Lost Hour - 06:13
2. A Reasonable Remedy - 08:01
3. High Head - 02:21
4. At The Angel - 14:06