The Issue at Hand

Such

1 Para 1 10:15
2 Para 2 9:54
3 Para 3 9:56
4 Para 4 11:23
5 Para 5 7:33
6 Para 6 12:09
7 Para 7 14:57
8 Para 8 2:14
9 Para 9 18:22
10 Para 10 16:49
11 Para 11 4:25
12 Para 12 23:54
13 Para 13 9:59

The musicians who perform together on this CD are as unlikely a group of individuals that you are ever likely to find. Yoshikazu Iwamoto brings a cultural past that has deep aesthetic roots in Japanese Buddhism, while John Tilbury's classical European training brings a sensibility that has matured through contract with cultivated traditions of learning and discipline. Eddie Prévost by his presence draws everything together into an indivisible whole, through responses that have been honed from years of working in free or improvised music." - Frank Denyer

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Yoshikazu Iwamoto / shakuhachi
John Tilbury / piano
Edwin Prévost / percussion

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Tracklisting: 

1. Para' 1 (10:14)
2. Para' 2 (9:52)
3. Para' 3 (9:55)
4. Para' 4 (11:20)
5. Para' 5 (7:32)
6. Para' 6 (12:09)
7. Para' 7 (14:57)
8. Para' 8 (2:11) 
9. Para' 9 (18:20)
10. Para' 10 (16:47)
11. Para' 11 (4:24)
12. Para' 12 (23:53)
12. Para' 13 (10:00)

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Recorded at Gateway Studios, Kingston-upon-Thames, England, on Monday 3rd August 1998 by Steve Lowe. Front cover "untitled, ink on Japanese paper' by David Ryan. 
 

Available as a 320k MP3 or 16bit FLAC download. 

Eddie Prévost

Eddie Prévost began his life in music as a jazz drummer. A recurring interest in this form has been maintained, although always with an experimental ethos. Along the way he has maintained his fifty-year plus experimental credentials with AMM and numerous other improvisation projects, including his now twenty-year long weekly workshop. But drumming has generally been backgrounded to his experimental percussion work. More though, is to be expected of his drumming in 2020 on forthcoming multi-CD album: The Unexpected Alchemy. A part of this Krakow festival recording features the drums and saxophone trio of Ken Vandermark, Hamid Drake, and Eddie Prévost. His most recent released recordings include AMM’s: An Unintended Legacy, and a duo with John Butcher - Visionary Fantasies, both on Matchless Recordings. Also, a solo percussion LP on the Earshots label called Matching Mix. Later, in 2020 he meets with Jason Yarde and Nathan Moore, while in March concerts and recording will hear him drumming with US guitarist Henry Kaiser and saxophonist Binker Golding.

“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker

“Relentlessly innovative yet full of swing and fire.” – Morning Star

John Tilbury

John Tilbury is renowned for his peerless interpretation of the piano music of Morton Feldman, John Cage, Christian Wolff and Howard Skempton. In addition to the performances and seminal recordings that he has made of these composers’ works, he has been an eloquent advocate of their music in his writing and speaking about them. The same is true of the attention he has paid to the music and ideas of Cornelius Cardew, the subject of his authoritative biography published in 2008, and with whom he played in the legendary improvisation groups the Scratch Orchestra and AMM. In the last ten years John Tilbury has performed a range of plays and prose pieces by Samuel Beckett.

Video by Helen Petts